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Guy Whitmore (Studio Head, Formosa Interactive Seattle)
Gareth Coker (Composer, Gareth Coker)
Kristin Naigus (Instrumentalist, Field of Reeds)
David Peacock (Orchestrator, David Peacock)
Pass Type: All Access Pass, Core Pass, Audio Pass
Vault Recording: TBD
Audience Level: N/A: I prefer to present live on-site but I am open to delivering a virtual presentation
There are many roles that go into bringing the music score for a game to life. Composition, arranging, orchestration, instrumental and vocal performance, recording, editing, mixing, music design, implementation, audio coding, and in-game mixing. All those elements make for a long and winding road for the music to get from conception to console speakers. This panel will recount this path as it applies to the music for Ori and the Will of the Wisps. The composer, an orchestrator, an instrumentalist, and music implementer will discuss their perspectives and describe their specific roles along the production path. The result will be a holistic overview of the game music pipeline, shining a light on the many aspects that must be carefully coordinated to create a successful game score.
Attendees will walk away from the panel knowing it takes a coordinated team of people, with various specialties and expertise to bring a modern game music score to life. They will learn that creative focus and effort must be applied to all roles along the musical path.
The intended audience for this panel includes anyone involved in music for games including composers, arrangers, orchestrators, instrumentalists, vocalists, implementers, and audio programmers. It will also be informative and useful for game producers, game directors, audio directors and those wanting to understand the totality of the game music pipeline.